【古殿歷史秘藏】:收藏1930年羅森塔爾演奏蕭邦第一號鋼琴協奏曲原始蟲膠與未發行白標盤
古殿殿主
這兩天在整理蟲膠收藏櫃子時，我的手是有點抖的。 看著桌上這剛整理好的兩套錄音，我心裡只有一個聲音：
「原來，歷史真的會選擇它的守護者。」
而他們選擇了「古殿」。
（2026年1月30日）週五晚上的「羅森塔爾之夜」，我不只要放唱片，我更想邀請你來見證一次「聲音的考古挖掘」。目前這場聚會「只剩下最後一個位子」。我在想，這最後一位「歷史見證人」，會是誰呢？
這一次我們要聊深一點，我要帶你像鑑定古董一樣，去解讀這兩件「神物」身上藏著的驚人身世。
一、全台灣唯一的「倖存者」：跨越一整年的錄音馬拉松
（1930年 蕭邦第一號鋼琴協奏曲・Parlophone 英國版・五張十面完整套裝）
首先是這疊沈甸甸的蟲膠唱片。我必須很驕傲地說：
這套唱片，在台灣要找到完整的「五張十面」，應該只有「古殿」這套了。
根據國際收藏市場的推估，這種完整且品相如新的完整版。先是機構收藏（圖書館/檔案館）： 全球主要檔案館（如大英圖書館、美國國會圖書館、馬里蘭大學鋼琴檔案館 IPAM）加起來，可能有不到10套的完整館藏。而且這些通常是「非流通」的，一般人接觸不到。另外就是全世界私人收藏可能剩下也是不到 10-20 套，屬於 Top 1% 的倖存者。若是加上保存片況幾乎完全如新品，那就是更是少之又少。
為什麼這麼稀有？這裡有三個這套唱片不想讓你知道的秘密：
1. 它是一場「拼湊」出來的馬拉松
這套唱片不是一天錄完的。根據史料，這首協奏曲的錄音過程非常曲折，橫跨了 1930 年到 1931 年。
- 第一樂章： 錄音時間橫跨 1930年3月1日、11月26日，甚至補錄到 1931年3月2日。
- 第三樂章： 居然是在 1930年5月1日錄的。
這意味著什麼？當年這是一個「大製作」。要將來自不同時間點的錄音母帶，在工廠裡統一壓片、裝套，中間只要缺了一張，或者因為某一面的模具損壞而延遲，這套唱片就很容易「散掉」。加上他們有可能不是一次一起販售的，而是分兩次出版販售的，所以能以「一套五張」的姿態完整存活到今天，本身就是奇蹟。
2. 標籤上的「拼字」玄機：你看到那個 "e" 了嗎？
你週五來的時候，仔細看標籤上的字：Parlophone。 如果是德國原版，拼字是 Parlophon（少一個 e），而且底下會寫著母公司 CARL LINDSTRÖM A.-G.。 你看到的這套是 英國版（UK Pressing）。英國分公司為了英語市場，在字尾加了 "e"。雖然德國紅標（名人系列）地位崇高，但英國版的壓片聲音更厚實溫暖，且正是因為它「渡海」到了英國，才躲過了後來柏林大轟炸的毀滅命運。
3. 矩陣號刻版裡的「身分證」
我們會用顯微鏡般的視角帶你看唱片內圈的矩陣刻板號（Matrix Number）。 例如這上面的 38839，這個號碼直接對應到 1930年11月26日 在柏林的那個錄音時段。這一天，68 歲的大師羅森塔爾坐在鋼琴前彈下了第一樂章的開頭。你聽到的，就是那一天柏林空氣震動的直接刻下的複製品。
二、台灣唯一、全球僅存一兩張的白標未發行「被封印真相」
（1936年 羅森塔爾《蝴蝶》・HMV 白標未發行test試壓片・金屬母盤直刻）
如果上一套是稀世珍寶，那這張白標唱片就是「傳說」。 請看仔細了：
這張唱片在台灣，絕對是唯一的孤本；就算放眼全世界，可能也就剩下這一張，頂多兩張而已。
標籤上打字機打的字："Unpublished"（未發行），說明了一切。 這是 1936 年的錄音，當年因為不明原因被判了「死刑」，沒有發行上市。它本該永遠沈睡在黑暗的檔案櫃裡。但這張唱片非常特殊，它是後來有人為了保存檔案，特地去 EMI 庫房找出當年的**「金屬母盤 (Metal Master)」**，直接壓製在現代膠片 (Vinyl) 上的。
週五晚上，我們將成為 90 年來極少數能聽到這個「被拒絕版本」的人。因為是母盤直刻，它安靜得驚人，沒有老蟲膠的炒豆聲，只有大師最赤裸、最真實，或許帶點衝動但充滿「人味」的觸鍵。
三、我們用什麼聽？「聲音考古」的儀式
為了這第二套的神物，我祭出了古殿的鎮店神器：Denon DL-102 SD 廣播級單聲道唱頭。
這不是一般的唱頭，這是當年電台專用的「重兵器」。它的針尖夠粗，能穩穩地卡在 1930 年代的蟲膠寬溝槽裡，像衝浪一樣滑過，完全不碰到底部的雜訊。 前幾天我試聽時，雞皮疙瘩都起來了。那個聲音不是從喇叭出來的，是直接從空氣裡「長」出來的。
這就是我在古殿想做的事：在聆聽音樂的過程中，尋找失落的歷史遺跡。
給最後一位有緣人
古殿的「歷史名曲音樂喫茶」是台灣目前唯一固定舉辦這種深度聆聽活動的空間。在這裡，我們不談競爭，不趕時間，我們只談如何讓自己慢下來。
這套台灣唯一、而且還品相如新的「「距離蕭邦本人最近的聲音」」的蕭邦協奏曲，還有那張全球可能只剩一兩張的白標唱片，在黑暗中等了 90 年，才等到被聆聽的這一刻。 週五晚上，給自己 90 分鐘的留白吧。來古殿，喝杯咖啡，讓我帶你去 1930 年代的柏林走一圈。
目前只剩最後一個位子。 這張通往 1930 年的珍貴入場券，我在等它的主人。
【活動資訊】
活動名稱：【古殿歷史名曲音樂喫茶第38場】羅森塔爾之夜
時間： 2026年1月30日（週五） 19:30 - 21:00
地點： 古殿樂藏（台北市北投區西安街一段169號二樓，近捷運明德站）
名額： 限定10席（目前僅餘 1 席）
報名方式： 報名表單在留言中，額滿即止。
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活動名稱：【古殿歷史名曲音樂喫茶第38場】羅森塔爾之夜：
👉 立即預約您的時空席位 (需匯款確認)： https://forms.gle/1E9v295gE5nNrdrD8
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【Gu Dian Historical Treasures】: The 1930 Rosenthal / Chopin Concerto No. 1 Original Shellac & An Unpublished White Label Disc
My hands were actually trembling a bit while organizing the shellac cabinet over the last couple of days. Looking at these two sets of recordings sitting on the table, freshly sorted, a single thought crossed my mind:
"So, history really does choose its guardians after all."
And it seems they have chosen "Gu Dian."
For this Friday night's "Rosenthal Night" (Jan 30, 2026), I'm not just spinning records. I want to invite you to witness a kind of "Sound Archaeological Excavation." Currently, there is only one seat left. I found myself wondering: who will this final "witness to history" be?
Come, let’s pour a cup of coffee and dig a little deeper this time. I want to take you, much like an expert appraising an antique, to decode the amazing backstory hidden within these "artifacts."
1. The Only "Survivor" in Taiwan: A Recording Marathon Spanning a Year
(
1930 Chopin Piano Concerto No. 1 · Parlophone UK Pressing · Complete 5-Record / 10-Side Set)
First, let's look at this heavy stack of shellac records. I have to say this with a bit of pride: This set is likely the only complete "5-record, 10-side" set to be found in Taiwan.
According to the international collectors' market, finding a complete set in such mint condition is incredibly rare.
Archives: Major global archives (like the British Library or IPAM) might have fewer than 10 complete sets combined. And those are usually "non-circulating"—you can't just walk in and listen to them.
Private Collections: There are probably fewer than 10 to 20 sets left in private hands worldwide. These are the "Top 1%" of survivors. Finding one that sounds as good as new? That’s almost impossible.
Why is it so rare? Here are three secrets this record set holds:
1. It was a "Patchwork" Marathon This wasn't recorded in a day. Historical records show the recording process was a winding road, spanning from 1930 to 1931.
1st Movement: Recorded across March 1, 1930, November 26, 1930, and even patched on March 2, 1931.
3rd Movement: Recorded way back on May 1, 1930. This means it was a massive production. If just one disc went missing in the factory, or a mold broke, the set would be incomplete. The fact that all five records have survived together to this day is a miracle in itself.
2. The "Spelling" Puzzle on the Label: Do you see the "e"? When you come on Friday, look closely at the label: Parlophone. If it were the German original, it would be spelled Parlophon (no "e"). What you are seeing is the UK Pressing. The British branch added the "e" for the English market. While the German "Red Label" is prestigious, the British pressing actually has a thicker, warmer sound. And because it crossed the sea to England, it escaped the destruction of the Berlin air raids during the war.
3. The "ID Card" in the Matrix I’ll use a microscope-like perspective to show you the Matrix Number on the inner runout groove. For example, the number 38839 corresponds directly to the recording session on November 26, 1930, in Berlin. On that day, the 68-year-old master Rosenthal sat at the piano and played the opening. What you will hear is a direct replica of the air vibrating in Berlin on that very day.
2. The "sealed Truth": An Unpublished White Label (Likely the only one in Taiwan, maybe 1 of 2 globally)**
(1
936 Rosenthal "Papillons" · HMV White Label Unpublished Test Pressing · Metal Master Direct Cut)
If the previous set is a treasure, this white label disc is a legend. Look closely: This is absolutely a unique orphan copy in Taiwan. Even globally, there might only be this one, or at most two.
The typewritten word on the label says it all: "Unpublished." This is a 1936 recording that, for some unknown reason, was "sentenced to death" and never released. It was supposed to sleep in a dark archive cabinet forever. But this disc is special—someone later retrieved the original Metal Master from the EMI vaults to preserve the archive and pressed it directly onto modern vinyl.
On Friday night, we will be among the very few people in 90 years to hear this "rejected version." Because it's pressed from the metal master, it is shockingly quiet—no old shellac crackle, just the master’s most naked, authentic, perhaps slightly impulsive, but incredibly "human" touch.
3. How Do We Listen? An "Archaeological" Ritual
For these artifacts, I’m bringing out Gu Dian’s "heavy weapon": the Den
on DL-102 SD Broadcast Mono Cartridge.
This isn't your average stylus. It’s a heavy-duty tool used by radio stations back in the day. The needle tip is thick enough to sit firmly in the wide 1930s shellac grooves, surfing over them like a wave without touching the noise at the bottom. When I tested it a few days ago, I got goosebumps. The sound didn't feel like it was coming from speakers; it felt like it was growing directly out of the air.
This is exactly what I want to do at Gu Dian: To search for lost historical ruins through the act of listening.
To the Final Person Destined for This Seat
Gu Dian’s "Historical Masterpiece Music Kissaten" is currently the only space in Taiwan hosting this kind of deep listening event regularly. Here, we d
on't talk about competition. We don't rush. We only talk about how to slow ourselves down.
This Chopin Concerto—the "sound closest to Chopin himself"—and that rare white label disc have waited in the dark for 90 years just for this moment to be heard.
This Friday night, give yourself 90 minutes of "white space." Come to Gu Dian, have a coffee, and let me take you for a walk through 1930s Berlin.
There is only one seat left. I am waiting for the owner of this precious ticket to 1930.
【Event Details】
Event: [Gu Dian Historical Masterpiece Music Kissaten No. 38] Rosenthal Night
Time: Friday, January 30, 2026 | 19:30 - 21:00
Location: Gu Dian (2F, No. 169, Sec. 1, Xi’an St., Beitou Dist., Taipei City / Near Mingde MRT Station)
Capacity: Limited to 10 seats (Only 1 seat remaining)
How to Join: Please send a direct message (DM) or leave a comment. Registration closes once full.